Tag Archives: writing

K is for Keeping Secrets

K is for Keeping Secrets 2015 A to Z Challenge -- April J. MooreDoesn’t it look like my sister knows something you don’t? A little unnerving, isn’t it?

It can be easy for writers to keep secrets from their readers, but it generally doesn’t go over well. You want to surprise the reader, or build suspense, so you withhold a few things, but you can end up pissing off the reader. It can also feel insulting, as if the author thinks you’re too dumb to catch on. It’s not fun to be reading a book, when suddenly the author drops a bombshell that he clearly knew about from the beginning, but didn’t let you in on it.

Seriously, how does it not come up sooner that her father is half-alien?!

This is particularly annoying when it’s the protagonist whose coming clean in the last chapter. There is a fine line between deceiving the reader and devising a suspenseful plot. 

There’s also a difference between building suspense and building tension. It might be more beneficial to be honest with your readers by letting them in on it and then build tension by keeping the secret(s) from other characters, for example. You want to shock and surprise the reader, but your main character can’t be deceiving. You got yourself an unreliable narrator—which isn’t necessarily a bad thing, but it has to be done right. 

The Murder of Rodger Ackroyd, by Agatha Christie, was one of the first books featuring an unreliable narrator. We read this one in my book club last year, and we seemed to be mixed on our feeling toward it. I hate to give anything away, but basically, it isn’t until the end, that we discover our first person narrator isn’t who he says he is. Yet, somehow, Christie pulled it off. The narrator didn’t actually lie about anything; he was truthful when asked questions—it was that the other characters didn’t ask the right questions. That, and Christie created a character with a trustworthy background. 

Other authors who did this well: Palahniuk (Fight Club); Bret Easton Ellis (American Psycho); and Emily Bronte (Wuthering Heights).

Be careful about keeping secrets from the reader because you can end up deceiving them. If you’re concerned about doing that, have someone who knows nothing about your story or book, read it. They’ll likely pick up on that stuff right away. 

How do you feel about unreliable narrators?  

A to Z Challenge 2015

J is for Juxtaposition

J is for Juxtaposition, 2015 A to Z Challenge -- April J. Moore
Look at how well my sister and I are juxtaposed. Despite our matching attire, we had very different personalities. Not opposite; just different. Growing up, comparisons were often made by teachers; not only with looks, but with behavior. (She was way more behaved than me.)

Juxtaposition is a literary device that clues the reader into the contrasts between characters, concepts, and places. By drawing comparisons between two dissimilar things/concepts/people/places, writers can create a vivid picture in the mind of the reader. When I looked up some concrete examples of this, the same darn ones kept coming up. I didn’t want to regurgitate them, but they really are great examples.

Characters: John Milton’s narrative poem, “Paradise Lost.” In it, Milton places good and evil (God and Satan) side-by-side, in order to showcase the contrast, thus, making Satan’s inevitable exodus below ground, a reasonable conclusion. 

Concepts: Shakespeare was a juxtaposition genius and there were several examples of this in his work. This part, from Romeo Juliet, Will wanted to show the contrast between “light” and “dark.” He is wanting to show that despite the darkness of night, Juliet ‘s face radiates against the skin of an African: 

“O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope’s ear;” 

Place: Charles Dickens does this in A Tale of Two Cities:

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way…”

(source)

I did come up with a few examples on my own, that are more modern. In the Harry Potter books, readers are aware of the good vs. evil concept, and Rowling does a great job of doing that, by subtly placing Harry and Volemort side-by-side. Harry has a nightmare where he faces several doors, but then the scar on his forehead burns. The reader surmises/is reminded that it is the work of Voldemort. 

Stephen King is also a master of juxtaposition. In Cujo, we see the marked contrast with this vicious, killer canine and the everyday suburban life. In Secret Window, King places us in a quiet, idyllic setting with the tortured, chaotic soul of a writer. (Which is another thing he got right.) 

You follow me?

Common proverbs in the English language make use of juxtaposition:
You can’t teach an old dog new tricks.
All’s fair in love and war.
Make a mountain out of a molehill.
When the cat’s away, the mice will play.

Other ways things to compare:
Young and old
Funny and sad
Warm and cold (as in emotions or personalities)
Pious and atheism
Clean and dirty (such in The Odd Couple, or prude vs. not-so prude )

You don’t have to beat the reader over the head with these differences; being subtle and consistent can be enough to show what you’re trying to get across to the reader.

Do you use juxtaposition in your own writing? If so, how?

A to Z Challenge 2015

I is for Impression

I is for Impression 2015 A to Z Challenge -- April J. Moore

I dedicate this post to Ivan Doig, a great American author, whose work left a lasting impression; a literary legacy worthy of admiration. 

Oh geez. 

I’m not sure what impression I was trying to make here, but if Facebook had been around in 1982, you bet your ass I would have posted this gem. 

I’m not always known for making a great impression, or even an appropriate one, and I often tell myself I should stick to leaving an impression with my books, essays, and stories.

Writers leave impressions because they want their name and/or their work to be remembered. Author Kristen Lamb made a hilarious impression by promoting her books using feminine hygiene products. (Seriously, it’s hilarious.) When it comes to book promotion and signings, I tend to lack the creativity to come up an impression-leaving gimmick, so I try to leave an impression with my work. 

We hear so often about having a strong beginning to snag readers, which is still important, but what about an ending? Isn’t that your final opportunity to leave a lasting impression? It could be what’ll make a reader hug the book to her chest and sigh, or close the book and say, “Hmph. I was kind of hoping for . . .” Even if she enjoyed the rest of the book, the impression you leave her with, particularly at the end, can change how she feels about the entire book. That can also be a good thing. What if the reader found the book just okay, but the ending brought it all together? It happens. Obviously, our goal as writers is to wow from start to finish. 

Every book and story is different and it doesn’t have to  be a happy ending or a cliffhanger, as long as it leaves the impression that you hope it will. Take a step  back and decide what your overall message is and bring your story around to that; hint at it, at least. Maybe you’re trying to bring awareness to a particular issue. Or that you hope readers will be more open-minded about something. Or maybe you just want them to close the book, smile, and write a raving Amazon review. 

Endings can be hard to write; they’re not usually my favorite part to come up with, but they are very important to the reader, so devote a good deal of attention to them. You only have one opportunity to leave a last impression.

How do you like to leave an impression as a writer?

A to Z Challenge 2015

H is for Harmony

2015 A to Z Challenge, H is for Harmony -- April J. MooreIsn’t it great when things work in harmony? As you can see, my sister and I are enjoying our harmonious photo session. There are lots of ways authors can have projects that work in conjunction with other projects of theirs. 

For example, I recently learned at the NCW conference, that children’s book authors should look into creating an app based on their book(s) so that they can not only offer more to their readers, but broaden their audience as well.  

Kelly Baugh, author of Miss You Once Again, which takes place in Mississippi, will be releasing a companion cookbook filled with her Southern grandmother’s recipes. 

I’m contemplating writing a novella based on the alter ego that the main character of my novel has. Maybe you have a secondary character who’s worthy of his/her own story? It could make for a great companion book. 

What about creating a Facebook or Twitter account for one of your characters? Or create accounts for two characters and entertain tweeps with their banter? Pair up with another author and have a battle of tweets and promote each other at the same time. Perhaps you build a website with a bunch of “extras” for readers to enjoy. 

Branding. Come up with an idea, a book for example, and then create products that work in harmony with your book. J.K. Rowling, Rick Riordan, and Veronica Roth also have companion materials to go along with their books. (They’re huge, so of course they do.)

With some creativity (c’mon, you’re writers!) you can create some great ideas that can work in perfect harmony with your current book(s). 

How have you extended the life of your book? What ways can you think of that can expand your audience?

A to Z Challenge 2015

F is for Feelings

2015 A to Z Challenge, F is for Feelings -- April J. MooreMy sister hated surprises; still isn’t a big fan of them. Her feelings toward them, came out loud and clear. (Love ya, sis!) Remember that scene from The Princess Bride, when Count Tyrone asked Wesley how he was feeling after getting a year of his life sucked away? He genuinely wanted to know—for research purposes. (Yes, I’ve referenced this scene before.)

Maybe we should spend more time asking our characters how they feel about things, then let them ramble on, as if on a therapist’s couch, while we jot everything down. Take the time to really listen to them and figure out what makes them tick. How do they feel about climate change? About Broadway shows? About the demise of the Twinkie? Ask them all  kinds of questions—tough ones, where they really have to dig deep to come up with an answer. (Why does it make one cry when others sing “Happy Birthday” to them?)

Oh, and do this without injecting your own opinion. Be an unbiased listener—that’s your job, right? Besides, wouldn’t it be fun to create characters who are nothing like us? Who do things we’d never do? Readers want to connect with characters, so how you portray their feelings is important. Remember, if you don’t give your characters unique and authentic feelings, you won’t evoke feelings in your reader. Spend some quality time with your characters and ask lots of questions. For some help, check out these questionnaires:

Gotham Writers
1000 Character Development Questions
The Script Lab

A to Z Challenge 2015

E is for Exposure


E is for Exposure, 2015 A to Z Challenge -- April J. MooreTo sell books, exposure is crucial. But what’s the right exposure? And where do you find it? How do you avoid over-exposure? Hell if I know; I’m still trying to figure it out. For what it’s worth, here’s my two cents:

Attend writer’s conferences. These are great places to network and get noticed. If you’re an expert in your field, or have a great workshop idea, many conferences offer opportunities to submit a proposal for teaching a workshop or doing a presentation.

Blog. I know, some of you hate blogging and I get it. You don’t have to do it, but it is a good way to showcase your writing chops. I love this post by Chuck Wendig who takes a hysterical look at whether or not you should blog. I do it because I enjoy it. I might say stupid things every now and again, but I really do try to be helpful and maybe even entertain here and there.

Offer free stuff. Many authors will tell you to never write for free, and I agree, but I don’t think there’s anything wrong with offering a free chapter or two to entice readers. There’s no obligation to the reader, and if your work is the on par, it will get readers to buy. (You can read the first 4 chapters of my novel, Bobbing for Watermelons HERE. I didn’t plan this. I promise.) I talk about a Lead Magnet in a previous post about marketing that might help. 

Be active on social media. Choose your poison: Facebook, Twitter, Google +, whatever . . . focus on one and submit quality content. I don’t have a big Twitter following, but I enjoy using it and meeting others and tweeting helpful links. 

Join a local writing organization. This is another opportunity to network and talk shop with like-minded folks who want to help you on your writing journey. The more writers you connect with, the more writing/book events you’ll attend, which will lead to getting your name out there.

A couple of don’ts:

Don’t over-tweet or over Facebook your book. That’s over-exposure and people will soon ignore you because they’ll think you’re a narcissistic ass-clown.

Don’t post pictures of your bare ass.

That is all.

What do you do for maximum exposure? 

A to Z Challenge 2015

D is for Determined

D is for Determination -- April J. Moore
This is probably the face I gave when I was told to do something, like to come inside when it got dark. I probably also shot this look at those who said I couldn’t do something. Either way, I likely used it often and according to The Husband, I still do. I like to think it’s my determined look. It’s the I’ve-Got-Stuff-To-Do face . . . so watch out. 

I think we should all take a picture of ourselves with our best determined look and post it where we’d see it everyday. Mine is on my bulletin board in my office. It’ll serve as a reminder that not only do you have the ability, but you have the drive to accomplish what you set out to do, so get out of the way and do it!

I was determined to get my novel published, and after much personal growth and determination, my book came out two weeks ago. If only I had the motivation to apply the same principles to cleaning out my laundry room. 

Do you find it’s easy to stay determined? Any tips?

A to Z Challenge 2015

C is for Collaboration

C is for Collaboration -- April J. Moore

If you ask my mom, she’d probably tell you that collaboration wasn’t mine and my sister’s forte. We had our moments, though. My bedroom closet had this giant step in it; a carpeted platform on one side, on which we could climb. It had a shelf along one wall and a little desk on the far end. It’s where I conjured up all kinds of trouble. And It. Was. Awesome. My sister and I made up this game called “Connie & Connie” . . . two quirky office gals who apparently did . . . office work. Using my tape recorder, we’d record ourselves pretend-typing and once, recorded me falling out of the closet. Funniest thing ever. Wish I still had that tape.

Anyway, Amy and I didn’t always collaborate well, and we differed more than just with appearances. (I’m on the left.) But we still made a go of it and had a helluva good time. Usually.

Sometimes, it’s peoples’ differences that can make a project exciting; what we bring to the table as individuals, can also make it a successful project.

I’ve collaborated with other authors on books and it’s been great fun. I’m also hoping to have a children’s book out later this year, that I’m working on with the amazing Kerrie Flanagan. I urge you to connect with other writers and artists and come together for a common goal. You don’t have to be alike; in fact, I encourage you to step out of your comfort zone and take a risk by working with someone you may otherwise shy away from—it could be the start of a beautiful collaboration.

How have you collaborated with others on  projects? Any advice/tips?

A to Z Challenge 2015