Writing Prompt Wednesday

Writing Prompt Wednesday

 

You know what to do. (But in case you don’t . . . these prompts are a way to help you get the writing juices flowing. Post a story in the comments section, journal it, post it on your blog, or get a jump on a short story; whatever. They’re here for the taking.)

  • Knowing his name meant little to her.
  • Fallen ash from his cigarette collected in a pile below his hand.
  • I stood at the edge of woods and listened to . . .
  • Paul knew he shouldn’t have looked . . .
  • I should have told my wife the truth that first day when I . . .
  • “I wouldn’t drink that; it has [fill in the blank] in it.”
  • In the beams of the dying headlights, stood . . .
  • The morning sun peaked through the trees. He told me I’d be dead by sunrise.

Happy writing!

An Emotional Laxative: Cathartic Writing

FallingWriting is cathartic; we’ve all heard that, if not experienced its cleansing powers ourselves. I’ve written essays about my late father that will probably never leave my computer, but they had to be written.

I’m once again in need of purgative writing; an emotional laxative, if you will. I think if I “get it out,” I’ll be able to move forward, past a humiliating incident.

About three weeks ago, I fell out of a parked car. That’s right, smacked right down onto the pavement from the height of at least three feet, specifically, from the seat of a Toyota 4-Runner. It was before my son started driving himself to school. He and I would hit the gym before school so that he could practice his indoor climbing skills and I could practice my stair climber skills. (If you knew how uncoordinated I am, you’d understand why I call this a “skill.” Oh, as it turns out, you are about to find out.) Still practicing his driving, my son would then drive us from the gym to school and I’d get out and jump into the driver’s seat. This was our routine. I had on my new workout pants that I thought were pretty snazzy and per my modus operandi, my “gym bag,” an old Eddie Bauer pack with a long strap, sat at my feet. 

This particular morning, we ran a few minutes behind schedule, so the outside of the school was abuzz with kids, parents, and teachers. As he stopped, I swung open the door to jump out. It all happened so quickly; I never stood a chance. Just as another car pulled up behind us in line, I exited the car—knees first. Like an anvil being dropped by Wile E. Coyote, I plummeted to the asphalt, landing on both knees and my left elbow. My chin nearly made contact as well. A baseball bat to the joints, swung by Babe Ruth, would have produced similar results. 

Despite my shock, I stood up quickly, aware of not only the many stunned faces turned toward me, but that the car had begun to roll backward. I yelled to my son to pull the brake, which he promptly did. The girl being dropped off from the car behind us, looked downright confused—Did that lady just fall out of a car?! 

My son came around from the other side, genuine concern on his face. “Are you all right?” I waved him off, wincing. Every movement hurt. I turned to the car and saw the culprit: my gym bag. It hung from the seat lever, threatening to dump its contents: my wallet, phone, and water bottle. I grab the bag and threw it back in the car before walking around to the driver’s side, desperate to not limp. I didn’t make eye contact with anyone, except my son, who gave me a sympathetic look and a wave goodbye. 

Shaking, with two aching knees and a throbbing elbow, I pulled away from the school. My ego also slowly formed a black and blue splotch. It wasn’t until I got home and yanked the delinquent, mischievous bag, that I realized how it had happened. The strap of the bag had gotten wrapped around my foot (or feet—unsure how many appendages were involved) and as I exited the vehicle, I brought the bag with me. It wouldn’t have been so bad to drag the pack with me, but the damn thing, apparently having second thoughts about following me, encircled its strap around the lever underneath the seat, stopping its progression—and mine.

It was like getting clotheslined, but with my feet. Yes, it was that bad.

When I explained to The Husband what had happened, he felt terrible. Later in the day, in an attempt to comfort me with, “You know, in time, you’ll be able to look back—” he chuckled—“and laugh—” I cut him off with a fiery glare. There would be no laughing about this. Ever.

Until now, I had only told one other person about it . . . a friend . . . over text. My knees and elbow still show remnants of bruises, as does my ego, but they’re going away. They also still ache, but that, too, is lessening.

I don’t know if writing about it has been cathartic, but I did manage a chuckle as I wrote about the experience. I guess that means I can laugh about it now—and that’s a good start.

So don’t leave me hanging; has writing about a humiliating experience ever help you move forward? 

Literary Contest Tips & Etiquette

first placeAbout five years ago, I approached Kerrie Flanagan, director of the Northern Colorado Writers, with the idea of incorporating a book contest into the association’s annual conference. Other conferences around the country have similar contests, so why not have our own? As a writing organization, the NCW loves recognizing high quality fiction and nonfiction, and thus, the Top of the Mountain Book Award was born. I’ve been the contest’s coordinator since and am blown away by how much it has grown in these last four years. During that time, I’ve learned a lot. I’d like to share my tips and suggestions on submitting to fiction and/or nonfiction contests.

Follow Contest Guidelines to the Letter. It sounds simple, but you’d be amazed at how often people don’t do this. (I have a better appreciation for what agents and editors gripe about.) Most contest rules, especially with formatting, mirror what agents and editors ask for, so it shouldn’t be difficult to tailor your submission to a contest. Some of the rules may not make sense to you, such as how they want the document saved as, but trust that there’s a method to their madness, and go with it. They have specific requirements for a reason, so if they ask for a 3-page synopsis; it’s a 3-page synopsis—not a 2 or 2-1/2 page synopsis. Agents and editors expect the same guideline considerations. And if you’re not sure about something, email the contest coordinator and ask. It’s much better than submitting and finding out later your overall score suffered because you didn’t ask about something first. 

Don’t Ask for Exceptions or Special Treatment. Rules are rules, man, what can I say? If we let everyone submit an extra page because “that’s where the action starts,” then first of all, maybe you should rewrite your opening, and two, we’d have a bunch of submissions of varying length and it wouldn’t be a level playing field. Most rules are going to be pretty general, so unless they’re asking you to send a vial of your first born’s blood with your submission, there shouldn’t be any rule you can’t adhere to.

Only Send Your Most Polished Work. Again, probably a no-brainer, but also a reminder that if you want to win, or even be a finalist, your work better be the best it can be. Even if you’ve had your entire critique group look it over, I suggest having one other person—who has never read it before—have a gander at it. You’ll be surprised the typos or plot issues a fresh pair of eyes can catch; it can make or break your submission.

Be Open to Criticism. It can be difficult to send your work out to be judged. Some contests will offer written critiques, and some will not. If they do, be open to hearing what they have to say, but at the same time, remember that it’s all subjective; it’s one reader’s opinion. Judges for the Top of the Mountain are instructed to leave constructive feedback and to offer practical advice, but not all contests are like that, so be prepared . . . or don’t send anything out until you’re confident your work is the best it can be.

Do Not Pitch a Fit. You’d think I wouldn’t have to mention this to adults, but sadly, it happens. Last year, we had a very disgruntled author who didn’t make the cut and after several threats, the police had to get involved. Yeah, not fun. Do not pull a Kanye West. Not only would you likely be asked to never submit to another contest of theirs, word may get around that you don’t like to lose, or have your work critiqued, and you don’t want that following you around. A contest is a contest and if your ego can’t take rejection, well, you’re in the wrong business. So be nice. Be gracious. Keep learning the craft. And keep submitting.

Other things to consider:

  • It’s perfectly fine to send a follow up email to confirm your submission was received. If a contest coordinator has a problem with that, then it’s not a  contest I’d want to be associated with. If you’re paying a fee, you should be able to find out if your entry arrived safely.
  • Don’t end your submission with an unfinished sentence. Tie it up for the judge, otherwise, it shows you didn’t take the time to polish your submission, and that you just saved the required number of pages and sent it off.
  • Judges are often donating their time and efforts. Entry fees typically go toward the cash prizes, PayPal fees, and other admin costs. 

That’s about it. Literary contests are a great way to get your work recognized and grab the attention of an agent or editor. So follow the rules, submit your best work, and wait for the prize money to roll in.

Announcement: Upcoming Readings Feb. 24th

Reading by Writers feb 24 2015If you’re in the area, stop by Bas Bleu Theatre in Fort Collins at 7:00 p.m. on February 24th, for an evening of readings. I’ll be joining my fellow Northern Colorado writers who are presenting their poetry, novel excerpts, or essays. I’ll be reading from my upcoming novel, Bobbing for Watermelons that’s due out next month. Tickets are $5 and you’ll also have an opportunity to purchase books, if you feel so inclined. Hope to see you there!

Bobbing for Watermelons by April J. Moore

 

Artists Behaving Badly

Just yesterday, I was talking about toddlers and temper tantrums, so I’ll continue with that thread and talk about Kanye West. On Sunday, during the Grammy award show, he nearly repeated his infamous onstage rant of 2009, when he hopped on stage after Beck won for album of the year. He didn’t follow through with his tirade, but later pouted and cried, telling US Weekly Magazine:

The Grammys, if they want real artists to come back, they need to stop playing with us. We ain’t gonna play with them no more. Flawless, Beyoncé video, and Beck needs to respect artistry and he should have given his award to Beyoncé. And at this point, we tired of it because what happens is, when you keep on diminishing art, and not respecting the craft, and smacking people in the face after they deliver monumental feats of music, you’re disrespectful to inspiration.” 

Wow. Talk about arrogance on an epic level. Chrissy Teigen, wife of musician John Legend, defended West, laughing about it on The Today Show, saying she thought it was a joke. Legend called the incident “funny.” Even jokes can be low-class and tasteless and shouldn’t be defended with giggles and eye rolls at those who find it distasteful. This isn’t about free speech either. It’s about being a sore loser, whether it’s he himself who lost, or someone he was rooting for, in this case, Beyonce. 

I’ve always liked Beck’s music, and his response makes me respect the guy even more (although I thought it was almost too nice). Aside from West’s immature and disrespectful behavior, the sad conclusion, I see, is that he’s in it for the accolades. He wants his music and the music of his friends to be recognized. Apparently, that’s how he measures his self worth, which is unfortunate, because an award shouldn’t validate you. The guy’s a talented musician, no doubt about it, but is that license to take away another musician’s incredible moment? 

This sense of entitlement translates to all professions, including writing. Late last year, author Ayelet Waldman threw a fit for not making the NYT’s “100 Notable Books of 2014.” Is that what’s she’s in it for? Is that why anyone does what they do? To be recognized in front of millions? Sure, that would be nice, but if that’s what you’re in it for, excuse me for not supporting your quest for stardom. Isn’t selling millions of copies or even having thousands of 4 or 5-star reviews enough? 

Perhaps when you reach a certain level in your career, you feel you’ve earned that award, or that coveted spot on some list, but to me, the second you step away from your humility and grace, is the second you start losing the respect you’ve spent so much time garnering. I doubt I’ll ever be that in position anyway, but at least I write because I love to, not because I want to fill a space on my shelf with an award.

That’s my rant for the day. I’m going to go download Beck’s album now.

Got Your (Writing) Hands Full?

When my son was around two or three-years-old, we figured it was a good age to teach him simple card games like Old Maid and Go Fish. At that time, the only cards we could find were these jumbo playing cards . . . made specifically for children 3 and up. The package even said, “Jumbo Cards for Little Hands.” 
Jumbo Cards for Little Hands

It was no wonder someone later came up with a card holder. Have you ever seen a toddler try to hold these giant cards in their hands? It may be comical (to parents) for a few minutes, but eventually, the cards end up spread out on the floor, or jammed back in the box. I also didn’t understand the jumbo Crayons and markers thing, either. Jumbo blocks and puzzle pieces, yes. I’m sure there’s a bunch of science behind overwhelming three-year-olds with these ill-proportioned toys, but now that my son’s sixteen, I don’t care. 

There are days I feel like my hands are so full of tasks, that I want to stomp my feet and throw a temper tantrum—even at the grocery store. These days, I’ve got a lot on my plate, so I have to be organized and stick to a plan. Here’s a few tips if you’re feeling like your hands are full of “jumbo cards.”

Get Organized. It sounds simple, and essentially, it is. I have a big white board in my office that lists everything I need to do. Buy several markers and color code projects  by importance. If possible, have it on a wall facing you, staring you down, so you have no excuse to ignore it. This is a great place to list top priority items and their deadlines. Identify the tasks that might have flexibility, or ones you might be able to get an extended deadline for. Also, keep a filing system that separates documents and other papers that pertain to the tasks.

Estimate time needed. If you have a general idea of how much time each project will take, plan your day or week accordingly. I suggest overestimating a skosh to allow for unexpected interruptions. This is a good opportunity to really see how much time you spend on social media and checking email, etc. Is it all necessary? Chances are, you could streamline those activities and carve out extra time for these tasks. To avoid burnout on one project, you might want to switch between tasks. I find that I can approach certain projects with a clearer mind if I step away from it for a while, even if it’s just an hour or two. 

Say Uncle! if you need to. Don’t be afraid to ask for help, especially if what you’re working on is a group effort; it’s better than producing rushed, poorly-executed work. Plus, talking through the project with someone, might put it in a new perspective that’s easier to work with. And don’t be afraid to say no in the first place. It’s hard for me to turn down writing and/or creative opportunities, but sometimes that’s the way it goes. Otherwise, I’d irritate myself and make my family crazy with my meltdowns. 

What are your tips for keeping your sanity when your hands are full?

Wearing Stories on My Sleeve

Inked LadyPen and ink; needle and ink. They both tell stories. I love art and writing, so it’s no wonder I love tattoos. JC Lynne wrote a great post at The Writing Bug last week about the author persona, and if writers need one in order to sell books. Lynne, who’s also an inked lady, was encouraged by her husband to take on the “badass tattooed writer” persona. She argued that her persona should be that she “wrote a good book.” I agree.

I can’t say that I’m a badass because of tattoos; I just like them. Each one I have has special meaning and tells a story, and frankly, doesn’t have anything to do with persona—at least, I don’t think so. Does an author’s tattoos tell readers the type and even quality of what they write? In addition to lots of other topics, I’ve written about executions, prisons, and women’s fiction, but hell, whatever gets a reader’s attention, I’m all right with that. (Although I’d rather it be from my writing.)

After I got my sleeve, a family member told me that she didn’t like it when women got tattoos of—and I quote—“skulls and dead things,” on their arms. I’m pretty sure the only place she’s seen such tattoos on women was maybe once on an episode of “Law & Order.” She was relieved I didn’t, as if that meant I’d start skinning rabbits in my backyard and displaying their skulls on sticks.   

Anyway, that’s really beside the point . . . I think. Whatever I have inked on my skin, whether it’s an owl or dead things, I don’t want to be judged by my cover. Who does? But I like telling stories on paper and on my skin, where I can truly wear my heart (and stories) on my sleeve. 

“I’ve just sucked one year of your life away.”

You know that scene from The Princess Bride, when Wesley is in the Pit of Despair? And then Prince Humperdink sucks a year of his life away?
Pit of DespairThat’s exactly what switching host providers for this site did to me. And that’s the second time I’ve done this process; I switched another site over last year, and lost a year of my life then, so I am officially . . . two years older. You’d think, after the first time, I would have learned, but I must have repressed it, or somehow forgot the pain. It must be like childbirth; you forget the pain and then go and do it all over again.

Anyway, what’s done is done. Right now, my “baby” is a little ugly and needs some tlc. I should be able to manage the rest without too many labor pains. Thanks for sticking with me.